{"id":17,"date":"2019-01-21T19:48:33","date_gmt":"2019-01-21T19:48:33","guid":{"rendered":"https:\/\/clients.ardisdigital.com\/annalouisedouglas\/?page_id=17"},"modified":"2019-01-21T19:48:33","modified_gmt":"2019-01-21T19:48:33","slug":"press","status":"publish","type":"page","link":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/press\/","title":{"rendered":"Press"},"content":{"rendered":"

Bygone Theatre’s\u00a0The Birds<\/em><\/h3>\n

“Douglas maintains a defensive poise that echoes the Hitchcock blondes\u2014Janet Leigh, Grace Kelly, Kim Novak, Vera Miles, and, of course, Tippi Hedren. (Seems almost pointed that she\u2019s brunette here.) Douglas is truly astonishing in the role\u2014mid-atlantic accent, precise and fluid movements; all the performative artifice, but inhabited so naturally I found myself almost constantly swooning.” ~Istvan Dugalin<\/p>\n

“There\u2019s a brilliant performance from Anna Douglas as Daphne Daniels.\u00a0 She has the 1950s young upper middle class housewife perfectly.\u00a0 The speech patterns and the body language are exquisite.” – Operaramblings<\/p>\n

…”the actress playing Daphne was simply superb…” – George Elliot Clarke<\/div>\n

“…complex performances from a formidable cast… particularly Anna Douglas as Daphne… Douglas is a compelling Daphne, appropriately clueless to the goings-on around her, and often funny as the socialite-out-of-water faced with the consequences of her own foolish choices. (She too nails the mid-atlantic accent)” ~Intermission Magazine<\/p><\/blockquote>\n

FX’s Mrs. America<\/em><\/h3>\n

“It perhaps needed more of … Annie Parisse and Anna Douglas, who play Midge Costanza and Jean O’Leary” ~Morning Edition<\/p><\/blockquote>\n

Full NPR Article<\/a><\/p>\n

Toronto Fringe’s Lighter’s in the Air<\/em><\/h3>\n

“This show did a great job of capturing the gritty (but full of heart) vibe of a healthy mic scene in the Monarch… owned by the instantly likeable character Stacy (Anna Douglas).” ~Mooney on Theatre<\/p><\/blockquote>\n

Brendan Hunt’s Absolutely Filthy<\/em><\/h3>\n

Winner of \u201cBest Show\u201d at the 2013 Hollywood Fringe,\u00a0Absolutely Filthy<\/em>\u00a0produced by Sacred Fools Theatre Company in LA<\/strong><\/p>\n

\u201cStandouts are\u2026 Anna Douglas as Lucy (The Big Sister)\u2026\u201d\u00a0~WorkingAuthor.com<\/em><\/p><\/blockquote>\n

\u201cStandouts in the cast include\u2026 hard-ass sports agent Lucy (Anna Douglas)\u2026\u201d\u00a0~LA Weekly<\/em><\/p><\/blockquote>\n

\u201cLucy\u2026 is served quite well by Anna Douglas, who treats the character of the sort of type-A businesswoman that Catherine Zeta Jones might\u2019ve played on film.\u201d\u00a0~Nat Gertler, Aaugh.com, Charles Schulz specialist and publisher<\/em><\/p><\/blockquote>\n

Full Reviews available at\u00a0Sacred Fools Official Website<\/a><\/p>\n

Alumnae Theatre Company\u2019s production of\u00a0Gloria\u2019s Guy<\/em>\u00a0in Toronto:<\/h3>\n

\u201cDouglas gives Gloria a lovely combination of vulnerable and pissed off\u2026 Douglas and [Robert] Meynell have good chemistry, rounding out the mixed feelings of former high school romance, painful moments and the awkward, but curiosity-filled, surprise reunion between Gloria and Guy.\u201d\u00a0~Cathy McKim, Life with More Cowbell<\/em><\/p><\/blockquote>\n

Buried Treasure<\/h3>\n

Interview about my work on Leslie Hope and Jeff Galfer\u2019s short film, \u201cBuried Treasure\u201d<\/p>\n

HonestReviewsCorner.com<\/a><\/p>\n

A Trip to the Ocean<\/h3>\n

An interview with the director of \u201cA Trip to the Ocean,\u201d Joe Cecchini<\/p>\n

Creative Loafing Tampa Bay<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bygone Theatre’s\u00a0The Birds “Douglas maintains a defensive poise that echoes the Hitchcock blondes\u2014Janet Leigh, Grace Kelly, Kim Novak, Vera Miles, and, of course, Tippi Hedren. (Seems almost pointed that she\u2019s brunette here.) Douglas is truly astonishing in the role\u2014mid-atlantic accent, precise and fluid movements; all the performative artifice, but inhabited so naturally I found myself…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-17","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/pages\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":0,"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/pages\/17\/revisions"}],"wp:attachment":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/media?parent=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}