{"id":11,"date":"2019-01-21T19:48:16","date_gmt":"2019-01-21T19:48:16","guid":{"rendered":"https:\/\/clients.ardisdigital.com\/annalouisedouglas\/?page_id=11"},"modified":"2024-10-28T14:14:26","modified_gmt":"2024-10-28T14:14:26","slug":"resume","status":"publish","type":"page","link":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/resume\/","title":{"rendered":"Resume"},"content":{"rendered":"<h2 style=\"text-align: center;\">ACTRA \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Dual Canadian\/American Citizen<\/h2>\n<h2><span style=\"color: #cea525;\">Television<\/span><\/h2>\n<table width=\"800\">\n<tbody>\n<tr>\n<td>Underbelly<\/td>\n<td>Series Regular<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Crave, Dir. Robert Budreau<\/td>\n<\/tr>\n<tr>\n<td>Mrs America<\/td>\n<td>Recurring<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 FX, Dir. Ryan Fleck, Anna Boden, Janicza Bravo<\/td>\n<\/tr>\n<tr>\n<td>Ransom<\/td>\n<td>Guest Star<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CBS, Dir. Eleanore Lindo<\/td>\n<\/tr>\n<tr>\n<td>Workin Moms<\/td>\n<td>Principle<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CBC, Dir. Reunka Jeyapalan<\/td>\n<\/tr>\n<tr>\n<td>Insomnia<\/td>\n<td>Recurring<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Welldone Productions, Dir. Slava Jakovleff<\/td>\n<\/tr>\n<tr>\n<td>Saving Hope<\/td>\n<td>Large Principal<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CTV, Dir. Steve DiMarco<\/td>\n<\/tr>\n<tr>\n<td>Played<\/td>\n<td>Co-Star<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CTV, Dir. Grant Harvey<\/td>\n<\/tr>\n<tr>\n<td>GROUP<\/td>\n<td>Series Lead<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Emergence Prod., Dir. Patrick de Sousa Lahey<\/td>\n<\/tr>\n<tr>\n<td>The Logan Show<\/td>\n<td>Co-Star<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 JCTV<\/td>\n<\/tr>\n<tr>\n<td>It Happened in Country Music<\/td>\n<td>Co-Star<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CMT, Dir. Zac Adams<\/td>\n<\/tr>\n<tr>\n<td>Southern Haunts<\/td>\n<td>Co-Star<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 PBS, Dir. Zac Adams<\/td>\n<\/tr>\n<tr>\n<td>It\u2019s A Miracle<\/td>\n<td>Co-Star<\/td>\n<td>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 PAX-TV<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span style=\"color: #cea525;\">Film<\/span><\/h2>\n<table class=\"credits\" width=\"899\">\n<tbody>\n<tr>\n<td>Christmas By Candlelight<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 CME, Dir. Brian Roberts<\/td>\n<\/tr>\n<tr>\n<td>Phobic<\/td>\n<td>Supporting<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 Citizen Pictures, Dir. Adam Kane<\/td>\n<\/tr>\n<tr>\n<td>Buried Treasure*<\/td>\n<td>Supporting<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 Angry King Productions, Dir. Leslie Hope<\/td>\n<\/tr>\n<tr>\n<td>Three Twenty-Five AM<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 Dir. Ajay Gupta<\/td>\n<\/tr>\n<tr>\n<td>Pompeii<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 Dir. Mark Thomas<\/td>\n<\/tr>\n<tr>\n<td>A Trip to the Ocean**<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 Dir. Joe Cecchini<\/td>\n<\/tr>\n<tr>\n<td>Giving Up<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 Sweet Revenge Entertainment, Dir. Chris Smith<\/td>\n<\/tr>\n<tr>\n<td>Lavorsia<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 B.C. Films, Dir. Bill Cornelius<\/td>\n<\/tr>\n<tr>\n<td>Slumber\u2019s Kiss<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 B.C. Films, Dir. Bill Cornelius<\/td>\n<\/tr>\n<tr>\n<td>School Colors<\/td>\n<td>Lead<\/td>\n<td>\u00a0 \u00a0 \u00a0 \u00a0 C. Wesley Pictures, Dir. Zac Adams<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center;\">*Winner: \u201cBest Narrative Short\u201d Rome Int. Film Festival 2013, \u201cBest of Fest\u201d Illinois Int. Film Festival<br \/>\n*Official Selection: Zero Film Festival, Humboldt Film Festival, The Indie Fest, Portland Oregon Women\u2019s Film Festival, Madrid Int. Film Festival, Southern Screen Film Festival<br \/>\n**Official Selection: NYC Downtown Short Film Festival, NYC Gasparilla Int. Film Festival<\/p>\n<h2><span style=\"color: #cea525;\">Commercial<\/span><\/h2>\n<table width=\"664\">\n<tbody>\n<tr>\n<td>Reel available on my\u00a0<a href=\"https:\/\/www.imdb.com\/videoproembed\/vi794212889\" target=\"_blank\" rel=\"noopener noreferrer\">IMDB<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span style=\"color: #cea525;\">Theatre<\/span><\/h2>\n<table style=\"width: 89.3757%; height: 432px;\" width=\"670\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">The Birds<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Daphne Daniels<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Bygone Theatre Co., Toronto<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">Gloria&#8217;s Guy<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Gloria<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Alumnae Theatre Company, Toronto<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">Absolutely Filthy*<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 The Big Sister**<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sacred Fools Thtr Co, Los Angeles<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">The Servant of Two Masters<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Beatrice<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Archway Theatre, Los Angeles<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">In Her Dress<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Myra<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Write Act Repertory, Los Angeles<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px; width: 35.355%;\" valign=\"top\">The Chinese Massacre (Annotated)<\/td>\n<td style=\"height: 48px; width: 18.787%;\" valign=\"top\">\u00a0 Ann\/Lydia<\/td>\n<td style=\"height: 48px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Circle X Theatre Company, Los Angeles<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">As It Is In Heaven<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Sister Jane***<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Shanklin Theatre, Evansville, IN<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">The Winter\u2019s Tale<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Perdita<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Shanklin Theatre, Evansville, IN<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">The Children\u2019s Hour<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Karen Wright<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0University of Evansville, IN<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px; width: 35.355%;\" valign=\"top\">The Curious Savage<\/td>\n<td style=\"height: 48px; width: 18.787%;\" valign=\"top\">\u00a0 Lily Belle Savage<\/td>\n<td style=\"height: 48px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Thunder Bay Theatre, Alpena, MI<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">State Fair<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Margy Frake<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Thunder Bay Theatre, Alpena, MI<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">You Can\u2019t Take It With You<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Alice Sycamore<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Towne Center Theatre, Nashville, TN<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px; width: 35.355%;\" valign=\"top\">Footloose<\/td>\n<td style=\"height: 24px; width: 18.787%;\" valign=\"top\">\u00a0 Urleen<\/td>\n<td style=\"height: 24px; width: 44.3787%;\" valign=\"top\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pulltight Theatre, Nashville, TN<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>\n<p style=\"text-align: center;\">*Winner: \u201cTop of Fringe\u201d and \u201cBest Comedy\u201d, Hollywood Fringe Festival 2013<br \/>\n*Winner: \u201cBest Overall Play\u201d and \u201cAudience Favorite\u201d, NYC Fringe Festival 2014<br \/>\n** Winner: Best Female Comedy Performance, LA Weekly Awards 2014<br \/>\n*** Nominee: Irene Ryan, Region III American College Theatre Festival 2010<\/p>\n<h2><span style=\"color: #cea525;\">Training<\/span><\/h2>\n<table style=\"width: 684px;\" width=\"694\">\n<tbody>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">James Price<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Meisner<\/td>\n<td style=\"width: 200px;\" valign=\"top\">The Acting Studio, NYC<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Lewis Baumander, David\u00a0 \u00a0Rotenburg<\/td>\n<td style=\"width: 272px;\" valign=\"top\">On-Camera Workshop<\/td>\n<td style=\"width: 200px;\" valign=\"top\">Toronto, ON<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Sunday Muse<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Voice Over<\/td>\n<td style=\"width: 200px;\" valign=\"top\">Toronto, ON<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Melissa Skoff, Dean Fronk<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Audition Workshops<\/td>\n<td style=\"width: 200px;\" valign=\"top\">Actor\u2019s Key, Los Angeles, CA<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Richard Robecheaux<\/td>\n<td style=\"width: 272px;\" valign=\"top\">On-Camera\/Audition<\/td>\n<td style=\"width: 200px;\" valign=\"top\">University of Evansville<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">John David Lutz, R Scott Lank,<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Stage\/Voice\/Movement\/Audition\/<\/td>\n<td style=\"width: 200px;\" valign=\"top\">University of Evansville, BFA<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">\u00a0\u00a0\u00a0 Christia Ward, Brendon Fox<\/td>\n<td style=\"width: 272px;\" valign=\"top\">\u00a0 \u00a0 Classics\/Directing<\/td>\n<td style=\"width: 200px;\" valign=\"top\">\u00a0 \u00a0 \u00a0Theatre Performance<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Stephanie Beck Williams<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Modeling\/Runway<\/td>\n<td style=\"width: 200px;\" valign=\"top\">DAN Agency, Nashville, TN<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Janet Weaver<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Singing (choir, musical theatre)<\/td>\n<td style=\"width: 200px;\" valign=\"top\">Nashville, TN<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Beth Truitt<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Singing (musical theatre)<\/td>\n<td style=\"width: 200px;\" valign=\"top\">University of Evansville<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Rikki Newman<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Dance (pointe, jazz)<\/td>\n<td style=\"width: 200px;\" valign=\"top\">University of Evansville<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">John Anderson<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Dance (ballet)<\/td>\n<td style=\"width: 200px;\" valign=\"top\">University of Evansville<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 212px;\" valign=\"top\">Christopher Lucas<\/td>\n<td style=\"width: 272px;\" valign=\"top\">Dance (hip hop, jazz, ballet)<\/td>\n<td style=\"width: 200px;\" valign=\"top\">J Corey-ography Studios<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span style=\"color: #cea525;\">Special Skills<\/span><\/h2>\n<p>Dialects (New York, Southern, British, French, Spanish, Irish, Norwegian, German), singing (mezzo soprano), dance (jazz, ballet, Lindy Hop, Balboa), voice over, juggling, guitar, piano, ukulele, stitching, draping, volleyball, swimming, horseback<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ACTRA \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Dual Canadian\/American Citizen Television Underbelly Series Regular \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Crave, Dir. Robert Budreau Mrs America Recurring \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 FX, Dir. Ryan Fleck, Anna Boden, Janicza Bravo Ransom Guest Star \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CBS, Dir. Eleanore Lindo Workin Moms Principle \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CBC, Dir. Reunka Jeyapalan Insomnia Recurring \u00a0 \u00a0 \u00a0 \u00a0&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":2,"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":266,"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/pages\/11\/revisions\/266"}],"wp:attachment":[{"href":"https:\/\/oneseventyfive.com\/annalouisedouglas\/index.php\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}